Milla Bowman

TT Hoves completes the TypeType font trilogy dedicated to modern sans serif. The first was TT Norms—the universal geometric sans for the widest possible range of tasks. The second was the neutral sans TT Commons, which was originally designed as a corporate typeface for TypeType studios. Unlike the first two typefaces included in the trilogy, TT Hoves has a distinct character, but without too bright bursts or kinks—it’s not too neutral and is moderately bright. We wanted to create a sans serif with recognizable patterns and geometry that would be perfectly suited for solving visual problems in such areas as architecture, design, industry, science, astronomy, drawing, high tech, research, space, statistics. The typeface name TT Hoves comes from an abbreviated combination of two words: horizontals + verticals (ho + ve), which is intended to emphasize the fact that vertical and horizontal strokes predominate in the design of the typeface. Other distinctive features of the TT Hoves design are sharp turns in letters like f t J r j and the shape of the internal junctions of diagonal 2-point strokes (A W M N V X), which is intended to add a square and technologically advanced touch to the picture. The stroke thickness tends to a single width for the entire range of styles, with natural compensations in the boldest styles. The TT Hoves font family consists of 20 fonts: 10 weights (from Hairline to Black) and 10 corresponding italics. Each of the styles includes 1348 glyphs. TT Hoves covers almost all languages using the Latin alphabet, as well as most languages using Cyrillic. In addition, in TT Hoves you can find a small capitals for Latin and Cyrillic and a large number of ligatures and stylistic alternates. In order to make it more convenient for you to use stylistic alternates, we have divided them into separate stylistic sets, one letter per set. We also did not forget about the mathematical and navigation signs, drew currency signs and added all types of numbers. A complete list of useful OpenType features that you can find in TT Hoves: zero, frac, ordn, case, c2sc, smcp, ccmp, locl, sinf, sups, numr, dnom, tnum, onum, lnum, pnum, dlig, liga, calt, salt, ss01, ss02, ss03, ss04, ss05, ss06, ss07, ss08, ss09, ss10, ss11, ss12, ss13, ss14, ss15, ss16, ss17. Separately, we would like to draw your attention to high-quality and detailed hinting, which is designed to help the typeface work well in a small size and even on small screens.

Transcend has been designed specifically for titling and branding purposes. This 8-font, all caps typeface is packed with OpenType features including discretionary ligatures and alternates that – when used subtly – help you to create distinctive headline typography. Transcend aims to be “The Ultimate Titling Typeface”. This typeface is an exploration of my own “Carrig” from 2014. I have evolved its core personality and embellished it by means of crisp, sharp lines and serifs, adding stylised ink traps/notches, as well as carefully considered swashes, flourishes, and ligatures that add a touch of class and refinement to every word you type. Key features: • 8 weights – Thin to Ultra • Alternates, Discretionary Ligatures, and Old Style Figures • European Character Set – Latin Only • 600+ glyphs per font.

Evanston Tavern is a square typeface and the sans-serif version to Evanston Alehouse. Inspired by the years that prefaced the ratification of the American Prohibition, this typeface mimics the signage commonly seen outside of saloons, taverns and alehouses during that time. Back to the modern era, Evanston Tavern is more than just a vintage inspired typeface. It works in modern and futuristic settings with multiple styles, opentype alternatives and ornamentation. The family provides a robust 61 total fonts, within it's 3 styles of regular, stencil and inline. Each sub family includes 4 weights and 5 widths. It has special features that add depth to the typeface, with discretionary ligatures and stylistic alternatives. It also includes a complimentary set of ornaments, including a vintage graphic set from the era, as well as modern frames, borders and icons. This typeface works great at logos, packaging, and other display settings. Pair this font with Evanston Alehouse and have a great combination of serif and sans-serif square letterforms and a large array of ornaments! Here’s a snapshot of what you get with Evanston Tavern: - 3 Styles: Regular, Stencil and Inline - 4 Weights: Light, Regular, Medium and Black - 5 Widths: 1826 (condensed), 1846 ( narrow) 1858 (regular), 1893 (wide) and 1919 (expanded) - 2 capital Heights: Capitals and small caps - 2 Alternatives: Discretionary Ligatures and Stylistic Alternatives - 1 Ornaments font with over 100 graphic extras

Loaded with various auto-ligatures (primarily for ALL-CAPS typesettings), Troubled has all of the rebellious custom lettered attitude of a vintage pulp paperback. Troubled PB began as a digitization of a film typeface known as Toronado by LetterGraphics, perfect for typesetting early children books, candy packaging, toy packaging, birthday invitations, or any other playful design need. It's lowercase typesetting is straightforward and casual, with a light animated feel, while the all-caps typesetting goes wild with auto-ligatures galore to create wonderful and interesting interwoven letterform combinations. This typestyle has such an offbeat appeal to it that it just draws your attention. Great for headlines (especially in all caps settings), but also great for small bodies of text in mixed case setting. So whether child-friendly design pursuits, or reminiscing of vintage pulp paperbacks novels, Troubled PB has a little something for everyone.

Utily Sans emerges from the question: "What would the world be like if Paul Renner had had greater inclination towards humanism rather than geometry?" Utily Sans glyph proportions and shapes make it suitable for long-form text. This typeface shows geometric simplicity with humanist shapes. It looks like Futura, but has a feel closer to Garamond. Utily Sans is composed of 6 weights with their matching italics, an alternate character set that brings it back to its geometric origin, uppercase discretionary ligatures for expressive titles, as well as small caps, lining figures and old style numbers. These features make the font well-suited for large and small sized compositions, for short or long text. Utily Sans is the first Latinotype font with Cyrillic support, additional to the usual support for over 200 Latin-based languages.

Here's a font that would love to play with your designs! Especially the ones where kids toys or packaging is involved - but feel free to play around with the 5 different versions with your other designs!

Delegation fonts are very beautifully designed and combine Delegation Script and Delegation Sans. The styles are suitable to be used for media promotion especially on social media, but not less beautiful when used for magazines, brochures, branding, etc. Delegation Features: Multilangual Ligatures (Delegation Script) Alternates PUA Encoded Numerals and punctuation Programs that support this font are Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. Languages ​​supported: Breton, Catalan, Czech, Danish, Estonian, French, German, Hungarian, Icelandic, Italian, Romanian, Gaelic, Slovak, Latvian, Lithuanian, Norwegian, English, Finnish, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Welsh. Basically, all European languages ​​are based on latin alphabet. Thank you!