 |
Yuge, apparently, is how New Yorkers pronounce huge. I have never been to New York, so I can’t tell if this is a fact. But I often hear a certain New Yorker pronounce it that way, so I guess it’s sort of true.
Yuge is a handwritten font - made with a Sharpie pen.
Believe me, it is a good font. It is fantastic. It is the best font ever. It is YUGE! ;-)
 |
I was doodling away with a sharpie pen on a rainy day.
Hey… wait a minute. A rainy day, a font called Rainclouds… Yep, that’s right, it is called Rainclouds for that reason! ;-)
Rainclouds is a fat marker font with a lot of texture and a lot of mouth.
 |
I have always been fascinated by Tengu - a mythical creature from Japan. Tengu are usually depicted with a red face, a very long nose, white moustaches and a funny hat. They used to be regarded as harbingers of war, but over the centuries, their image softened and they became the protective spirits of mountains and forests.
Daitengu means ‘greater tengu’ and stems from the Genpei Jōsuiki - an extended version of the ‘The Tale of the Heike’ - an epic account of the struggle between the Taira and Minamoto clans for control of Japan.
So, now you know about tengu, end of the history lesson!
Daitengu is an epic brush font. I made it with a soft brush and China ink (like most of my brush fonts), but instead of forming the glyphs I saw in my head, I let the brush do the work. A more ‘zen’ approach to brushwork if you will! The result is a messy, organic brush font with a lot of spirit.
Comes with diacritics and double letter ligatures.
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
I was playing around with some brushes and ink, and out came Skulduggery.
Use it for any project you can apply the term ‘skulduggery’ to.
Or not.
Whatever.
 |
I was doing the laundry the other day and, as usual, I was going through the pockets of my jeans. After I had emptied my party pockets, I figured it was a great name for a new font!
So, without further ado: here’s Party Pocket: a handwritten all caps font - great for product packaging, greeting cards and posters!
 |
I really like peanuts! My family and I often eat an Indonesian snack called Rempeyek, which is a deep fried, battered peanut cracker and I was probably craving one when I made this font. Peanut Crunch is a hand painted display font. It comes with some alternates and a bunch of ligatures for you to play around with.
 |
Endgame font was made using a very, VERY bad brush and Chinese ink. I had bought a bunch of brushes some time ago and I discovered that the hairs had been treated with some goo to keep them from sticking out. The goo didn’t really come off, so when I started to draw the glyphs for this font, the brush strokes were kind of wild.
In the end, I really liked it (even though I will never again buy that particular brand of brushes).
Endgame is a wild brush font. Comes with the works: diacritics, ligatures and alternates.
 |
Mystical Woods is a script and caps font duo. I went back to the basics for this one -- ink and a brush on paper. I cleaned up the letters enough so that there are no jagged edges, but left enough of the character to keep that inky look -- those are the Rough fonts. Then I went back through again and cleaned the heck out of them, making every line and curve smooth for our cut-crafting friends -- those are the Smooth fonts.
Since these two fonts were written together with the same tools and style, you can also mix the script letters in with the caps letters!
Each font comes with a full set of standard characters and punctuation, as well as over 300 extended Latin characters for language support. And the script fonts also have 45 double-letter ligatures!
 |
The Pagnol typeface has been designed with a principle developed by A. M. Cassandre in 1937, when the great French designer created the Peignot typeface following paleographic studies on the evolution of letterforms.
Researches in the history of writing have proved that the lowercase “a” is at its origin nothing but the “A” shape transformed through centuries by scribes until the invention of printing. A large number of lowercases meanwhile kept their original shapes. If the scribes’ hand didn’t find the necessity to simplify them, it is only because these letters could be easily written.
Integrating the classical shapes of capitals to the lowercases has already been used, keeping the lowercases which are only a deformation of capitals. Nevertheless, the respect of readability imposes to keep ascendants and descendants from traditional lowercases which serve as optical focus points in a text and make reading easier.
The particularity of Pagnol is to use rounded shapes on top and bottom of pointed capital letters to make them fit with corresponding lowercases (Aa, Mm, Nn, Vv, Ww, Zz). Lowercases proportions are wide, to be in tune with classic lowercase shapes in order to optimize readability.
Five weights in roman and italic have been designed to offer a wide palette of typographic possibilities in all sizes and all paper and screen supports.
 |
I like almost all citrus, but I gotta be honest — lemons are by far my favorite. After wanting one for over 20 years, I recently got my very own lemon tree, so I'm celebrating by naming a font PUCKERY TART!
This is a taller, narrower hand-lettered font with plenty of variety to make your projects look hand-written!
Puckery Tart is a double-uppercase font: one full set mapped to the uppercase letters, and another set of uppercase mapped to the lowercase letters, so you can mix and match between the two. But that’s not all! I've also included a full third set of shorter alternates (Small Caps if you have OpenType software; available in the PUA character section if not) to add some variety. Plus, I've thrown in a few extra-tall versions of F, L, and T — those classic letters that like to cuddle other letters.
Puckery Tart also contains over 300 extended Latin characters for language support, including, but not limited to: Catalan, Czech, Danish, Esperanto, Estonian, Finnish, French, Gaelic, German, Icelandic, Irish, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Romanian, Serbian (Latin), Slovak, Slovenian, Spanish, Swedish, Turkish, Welsh, and more!
 |
Lemonado is a type family drawn with a dry brush pen. It includes upright and italic scripts and all caps fonts with brush texture or with smooth edges.
Lemonado Script is playful and slightly bouncing connecting script. It includes two sets of lower cases to increase the hand writing effect. By enabling Contextual Alternates from OpenType panel you can cycle these two sets and achieve variation.
Lemonado Script also includes set of lowercases without connecting stroke, you can use those in the middle of words or automatically add them at the end of words by enabling Stylistic Set 1 at the OpenType panel. There are also set of lower cases with end swashes, you can automatically add these swashes to end of words by enabling Stylistic Set 2 at the OpenType panel. Also other alternate characters and underlines are included to give you even more possibilities to play with.
Lemonado Caps has two sets of upper case letters, high and low ones. You can achieve this fun looking bouncing effect by varying them. Just enable Contextual Alternates from OpenType panel and those two sets will cycle.