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Device™ display typeface is inspired by industrial type used for decals and signage. This typeface pairs nicely with geometric sans serifs like Cerebri Sans and HK Grotesk.
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Device™ display typeface is inspired by industrial type used for decals and signage. This typeface pairs nicely with geometric sans serifs like Cerebri Sans and HK Grotesk.
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Prushkov is the first typeface that I made. Its name comes from the town I lived in at the time. The design was inspired by both geometric typefaces like Futura, and didone fonts like Bodoni. Its aim (perhaps quite bold) is to blend high contrast with mathematical excellence.
Prushkov will work well as a display font, both in uppercase and lowercase. It has a wide array of stylistic alternates for all of the capitals and some lowercase glyphs too.
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Boldu is a simple grotesque font. I created it using simple forms. I love geometry and tried use only one size of lines. Boldu was created being impressed by works of beginning of 20th century - period of strict and geometric forms
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Magnetica font family combines design simplicity of modern sans serifs with a futuristic feel based on semi-rounded concept. Its fluent lines can bring unusual spark to logo designs, headlines, magazine designs, quotes, documentaries, advertisements or similar projects. This font, especially its Italic variation, will find its use also in larger text blocks where simplicity, clean lines and well applied kerning is a must. Create something spectacular with Magnetica.
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Ariana Pro is a geometric font family. It provides advanced typographical support with features such as case sensitive forms, small caps, ligatures, alternate characters, fractions, circled gures, pro kerning…This typeface comes with a complete range of ligature set options.
It comes in 9 weights with corresponding italics and it’s suited for multiple purposes including editorial use, web font, apps, digital ads and also for advertising, long text and branding.
As a modern sans serif font family, Ariana Pro has also an extended character set to support Central and Eastern European as well as Western European languages.
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Telecom is a new, experimental typeface designed by Jan Estrada-Osmycki.
Inspired by space-age, science-fiction and the work of Wim Crouwel.
It’s design combines mechanical, modular approach to type and elegance of letterforms. It’s super-high contrast, thin hairlines and close attention to detail makes it a font to be set in greater sizes. Comes in four weights.
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Disco is a disco-era typeface published by SoftMaker.
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Laca is a semi-sans serif inspired by retro Portuguese packaging of soaps. Laca is the Portuguese word for hairspray. The starting point was to design a typeface that would bring a familiar feeling of closeness and warmth but giving it a modern look ensuring it works well on modern platforms.
It’s a lively typeface that brings texture and personality to the text. Perfect for branding and for all communications. There is an upright italic version available through the stylistic set that brings even more friendliness to the font.
The result is a versatile typeface that has many OpenType features that brings stylistic alternates to the designer.
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Radar is a revival of the sans serif typeface “Grotesca Radio”, from the Spanish foundry Richard Gans, which existed from 1888 to 1975. His authorship is attributed to the German type designer and master punchcutter Carl Winkow. Although the new version of this font has always tried to keep accurate similarities with the original typeface, Radar is not intended as a strict revival, but as a contemporary interpretation. In this new version the user can find some alternate characters that give the typeface a more art-déco or neutral flair.
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Milla Bowman
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