Milla Bowman

The Sussan type family is a handlettering collection designed by Felipe Calderón. It contains sixteen different hand drawn fonts and a set of funny illustrations designed by Jhony Velasco. On this occasion we tried to match several font concepts to create nice pieces with them and each one is equipped with automatically exchanging alternates, ligatures, swash letters and some other feature.

Thulth font (Thulth Tharwat Emara Golden) distinguished by beautiful artistic structures and ready-made sentences to help you design the designer designs and paintings easily. It also retains the beauty of its original Arabic calligraphy.

This font can be used in titles of books, magazines and Quranic verses. Also specialized in printing on clothes, Najaf and antiques.
It is the first font that you can write complete sentences and Ayat of Quran by beautiful artistic structure like as those written by the calligrapher. It also simulates the handwriting and no need to calligraphy it when you have this font.

Passiflora is a unicase display font with elegant shapes and swashes, imitating the handraw in a friendly and llamative aesthetic. This font inspires the facade inscriptions and rotulations of the buildings in the XX century of Santiago, as the fresh features of rounded brushes.
Passiflora counts with 7 variants: Regular, Shadows, Outline, and Decorative version. Every variable contains more than 800 glyphs and a wide support of languages from Occidental, Central and Oriental Europe and Vietnamitese.
This font is perfect to decorate book covers, showcases, packagings, posters, titles , among other uses.
Passiflora counts with OpenType Alternates, Swashes, Titling alternatives, Stylistic sets, Discretionary Ligatures, Ornament sets and modern numbers, denominators and numerators, customized and become unique, allowing dinamism to the design.

Sultan Ruqah is a attracting font, Designed by Sultan Maqtari. This is one font of the Sultan Fonts families that supports a variety of scripts including Arabic, Persian, Urdu, Uthmani, and Kurdish.

The Sultan Ruqah has its own family with 8 unique fonts varying in weights and width. All characters, punctuation and styling have all been improved keeping in mind the required feel and beauty of the font for a wide corporate use, The 8 fonts include lots of styles.

JH Roy is an Arabic handwriting Naskh typeface, including two weights; it is typical for long running text, headlines, branding & signage...
The diacritic positioning is fine tuned per the publishers requirements.

These Typoart fonts were redesigned and revived for modern use. The italic style got an entire set of swash caps, and both styles contain superior and inferior numerals as well as the historical long s.

Ballarih is a contemporary humanist typography, including 16 fonts with 08 weights and italics. Characterized by a prominent x-height and excellent readability for both web and print. Ballarih contains 820 glyphs including tabular figures, ligatures, fractions, small caps, alternate glyphs,case-sensitive forms, superscripts, subscripts and extensive language support.

SF Kitab is An Arabic typeface for desktop applications.
The font is dedicated for printing diverse books and publications.
SF Kitab is clear and the reader feels comfortable reading long texts.
It is contains two weights: normal and bold.
This font supports Arabic, Persian and Urdu.

Portoluce is a Roman typeface. This fonts are delicate and highly readable at very small sizes but reveals all its strength and personality when used at big sizes. The contrast of the sharped serifs provides a fresh and very contemporary look.
The family has 3 weights with italics, ranging from Regular to Black ideally suited for advertising and packaging, book text, editorial and publishing, logo and branding, small text as well as web and epub.
Portoluce provides advanced typographical support with features such as ligatures, old style figures and small capitals. As well as Latin-based, the typeface family also supports Central European languages.

JH Hadi is an Arabic Naskh typeface, including three weights; it is typical for long running text, headlines, branding & signage...
The diacritic positioning is fine tuned per the publishers requirements.