Milla Bowman

Matahari (English : Sun) is the power source of life. The symbol of power and energy that synergies with other part of daily lives. It is one of the most fundamental thing us humans need, just like communication. And like Matahari itself, words are powerful enough to make a living.

Referring to Grotesque Font and influenced by the works of Eric Gill, Matahari Typeface is available in 3 widths and 7 weights, also in Oblique version in each font. The font uses oldstyle and transitional letters (double-story ‘a’ and ‘g’). It has a humanist gesture, the thickness of the font is semi-monolinear where the horizontal and vertical size is almost equal, making the font reach its maximum optical readability even in small sizes. The font anatomy refers to the basic geometric square-sized of the letter ‘M’, while the letters of S/C/G/c/e have uneven curve shape which give the sense of humanist and flexibility.

This typeface is ideal for various design needs, from Printing to On-Screen/Digital Reading, from Brand Identity, Posters, Caption, Headline, to Body Text. With the numbers of widths available, the font can be used for all kinds of purposes (Label, Signage, Packaging, Website, etc). Supported well over 75+ languages, including Greek & Cyrillic, Matahari Typeface will give you an excellent way in aesthetic communication and message-delivering.

A circa-1920s book on lettering entitled “Book of Alphabets” by Regan Publishing displayed an example of a Grotesk typeface (a popular style of sans serif of the time).

This design was re-drawn digitally as Not So Grotesk JNL and is available in four varieties - regular, oblique, condensed and condensed oblique.

Not So Grotesk JNL is the perfect companion font family to use alongside Simply Grotesk JNL.

The 1912 publication “Essentials of Lettering” has an example of a hand lettered, condensed spurred serif design called “Compressed Roman”.

This is now available digitally as New Thin Roman JNL in both regular and oblique versions.

Galderglynn 1884 is a nineteenth-century style sans-serif typeface. This is a refined expansion of another typeface called Galderglynn Esquire. Galderglynn Esquire was an intentionally rustic looking typeface based on a mixture or several pre-twentieth century grotesques employing deliberately unrefined weight and spacing. Galderglynn 1884 has at its base that same pastoral design but polished into a practical workhorse font family. The condensed fonts are slightly squared off with careful effort employed to keep the style squarely in the nineteenth-century—more like a typical condensed newspaper headline type than a twentieth-century superellipitcal like Eurostile or Univers. The extra-condensed “squeeze” fonts are completely flat-sided, not unlike old wooden poster types or extremely tight metal newspaper headline fonts.

If your application supports OpenType features, you can access tabular and lowercase (old-style) numerals. A Cyrillic alphabet is included as well as accents for common Latin languages. There are three special effect fonts available: all-capitals shadow and engraved regular and condensed styles.

Ramen Sans is a friendly grotesque type family with the warmth of serif types and a little bit of the edginess of geometric sans! Designed with body text in mind, it offers 5 weights (and their italics), small caps, lining figures, fractions, numerators, denominators, and supports the Adobe Latin 3 character set (most western and central European languages).

Introducing our foundry with the new Sans Serif typeface, Kommon™Grotesk, a super family with 96 styles. Different width from Extended to Compressed, variety of weights from Thin to Super, made Kommon™Grotesk suitable for multiple usage. The typeface was crafted till clean and simple. It has high ligibility with modern and clear look to be use as text or display font. Kommon™Grotesk is effective displaying on many medias, both print and on screen.

Coltan Gea is a Slab Serif typographic family with 6 Weights plus the italic versions all include small capital letters and cryptocurrency symbols.
It is a geometric, minimalist typeface, with neo-grotesque modulations and slightly rounded corners. The typeface has alternative letters and numbers, small caps and advanced OpenType functions. The proportions, metrics and kerning I have configured meticulously for a perfect reading in any size.

Galatea is a universal sans serif family – clean and timeless. Both iconic and legible, Galatea is suited to cover many needs from brand identities to editorial design, advertising, logos and beyond. Cyrillic characters are featured and a wide range of languages is supported. 
Open Type features are abundant – from built-in small capitals to various numeral styles (linear and old style; tabular and proportional, subscript and superscript). 

Galatea comes in three widths – each featuring eight weights and corresponding italics.

Kruda is a Handcrafted display sans with 3 widths and 5 weights with accompanying slanted version. inspired by a vintage grotesk on a worn out signs and this was an initial sketch for our typeface Naratif, but it went too far. so we completed the language support for LATIN, CYRILLIC, and GREEK. and decided to take the risk to release it.

The addition of a monospaced version returns the Ballinger family to (some of) its roots: a 70s-era typewriter face called Candia, which Josef Müller-Brockmann designed for Olivetti. Ballinger Mono is designed on the same principles as its sister face: plain, sturdy forms with large counters, open apertures, deep junctures, and a generous x-height. It matches Ballinger’s eight weights, which makes it unusually versatile for a fixed-width face, and has been carefully rebalanced for ease of reading, like the classic jobbing sanses that inspired it. Oldstyle, inferior, and superior figures are available, as well as old-fashioned nut fractions.

Handcrafted signs line the stoned walkways of old Italy. Some a century old, these often forgotten works of unknown artists remain etched across cities and villages. But now, they make their inviting impressions once again as the inspiration for insigne design’s Gineso Soft typeface.

Gineso Soft absorbs the personality of northern Italian posters, headlines and logotypes, providing a type especially nice for signs and titling with its condensed qualities. The font contains matching italics for the the eight weights and three widths. We’ve also included small features along with fractions and superior / inferior characters to broaden your options. Even more, Gineso Soft is ready for all applications and features a large character set for the languages ​​and literature of Europe.

So add a soft touch the next time you’re in a tight spot. Add Gineso Soft and make your project a work to be remembered.