Milla Bowman

Loew Next Arabic is the modern, honest and straightforward go-to sans serif type family aimed at a global user. Painstakingly reworked from the original design Loew to further enhance the consistency of detail between individual weights and improve its compatibility to support non-latin script languages. Details include over 800 characters with alternative lowercase a, e, g and l. Seven variations of numerals, small caps with accents, Opentype features inferiors, superiors, fractions and language support covering Arabic, Western, South and Central Europe.

The Waymar font family is an modern elegant high-contrast serif, inspired by the fashion glossy magazines typography and handwritten signature script. It perfectly represents modern & vintage esthetics.

Both fonts includes multilingual support (32 languages: Afrikaans, Basque, Bosnian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Galician, German, Indonesian, Irish, Italian, Latvian, Lithuanian, Malay, Norwegian Bokmal, Portuguese, Romanian, Russian, Slovak, Slovenian, Spanish, Swahili, Swedish, Turkish, Zulu), alternate characters and beautiful ligatures.

The font is perfect for wedding elegant invitation cards, beauty and fashion package design.

High-contrast? High impact? Have Courage? Eye-catching and (extra, extra) bold, Courage balances ultra-high stroke weight, delicate details, and unique letterforms with a self-indulgent passion that will make you feel a little guilty using it. Honestly, use it large and don’t try to force it into a small space, because these fearless letterforms need room to move. Flavored with both upright and italic styles, each font includes an indulgent level of alternates, swashes and titling options, visual elements and more.

A backstory with a different name
Years ago, I was commissioned to take my Lust typeface and produce something unique to use for large format graphics for an event…cool. It needed to be hyper-contrast with a lot of over-the-top details. With a tight turnaround, I looked for primers within my development catalogue to help me, and settled on some early work on a typeface I had drawn called Hedonist. I used those sketches and its conventions to retrofit and build out Lust Hedonist (only to see the project go bust on the client’s end). I intended to go back shortly after the Lust Hedonist release to finalize a retail version of the OG Hedonist, but I never could settle on the look of the ‘g’ or the numerals, got distracted with other projects, and never picked it back up… until last year. After randomly doodling a fat, flat ‘g’ with an extremely tilted counter axis, I knew immediately how it could be used and that (re)set things in motion. Only problem was, in the process of refining the letterforms I began truly dissecting the pieces, rediscovering all of the recklessness within Hedonist, and decided on fundamentally rewriting the approach to the typeface… literally flaying it to the bone. I’m much, much happier with this finished typeface now, but the name no longer fit the moniker given to the first, adolescent approach—there’s far more audacity and cleverness in these letterforms, tenacious in their resolution now. As a result, the name Courage fit the mettle of this typeface so much more, so I kept it.

Portsmouth is a strong, sturdy typeface with historical character. Its inspiration comes from the height and strength of the wooden tall ships that sailed into port in their day. With caps and small caps, this typeface is great for headlines or subheads for design projects that need a historical or retro feel, such as from the 1940s and earlier.

Seven different styles that can be layered allow for different colored drop shadows, outlines and fill for even more customization.

Afternoon Tea is inspired by a lettering specimen featured in Letters and Lettering by Paul Carlyle and Guy Oring published in 1938.

The striking features are the elegant balance between thick and thin strokes (demonstrating its obvious ink pen influence) while maintaining a sturdy presence which is ideal for titles and headings.

Afternoon Tea is caps only.

A revival of one of the popular text fonts of the 19th century, suitable for text or display, short descenders, tall ascenders, the regular text version.

Extra Bold serif, ideal for large display.