Milla Bowman

FF Infra™ is a fresh take on the robust sans serif typefaces of the early 20th century. Drawn by Gabriel Richter, it’s a friendly, inviting – and multi-talented family. Whether long blocks of editorial text, or snackable copy in web pages and blog posts, FF Infra’s 20 typefaces are easy on the eyes in both print and digital environments. The design also performs as well at petite sizes, as it does at supersized display settings. Pair FF Infra with an old style or Didone serif design and you’ll have powerful and distinctive typographic pages!

FF Infra is available in 10 weights, ranging from a delicate light to a commanding black, each with an italic companion. OpenType® Pro fonts of FF infra have an extended character set supporting most Central European and many Eastern European languages, in addition to providing for the automatic insertion of ligatures and fractions. Each font also contains four sets of figures and a bevy of arrows that are ideal for wayfinding and similar info-graphic projects.

A generous lowercase x-height, open counters and subtle graduations between family weights, make for a family that is at home in a wide range of sizes, and comfortable in everything from large signage, content for mobile apps, product manuals and full-scale branding projects. In addition, to provide design diversity, Richter drew alternate designs for the a, G and ß.

Richter first became interested in fonts and the art of creating typefaces while studying communication design at Düsseldorf University of Applied Sciences. His first designs were experimental, but these lead a position at FontShop International in 2013, where he developed his typeface design skills. A strong background in font production, hinting and font marketing were also part of his FontShop experience. Richter worked as freelance graphic and type designer until he founded übertype in 2017. He also invests back into the type community through the type design courses he teaches at his alma mater.

FF Infra is Richter’s first commercial design for Monotype. We’re sure that you’ll find it as versatile and powerful as we do.

Estelle is a typeface published by SoftMaker.

Florentine is a typeface published by SoftMaker.

Fraktur No2 is a blackletter typefont published by SoftMaker.

Frenzy is a typeface published by SoftMaker.

Giulio No2 is a typeface published by SoftMaker.

Grotesques can answer a really wide variety of design problems and go from small sizes to large without missing a beat.

Vinila is Flora de Carvalho’s take on the genre. The family’s multi-purpose intention comes from having 4 widths - from compressed to extended, each with 6 weights and obliques.

Rhythm and music played an important part in the design of this font, which started off as the lettering for a Brazilian Music album.

Its distinctiveness comes from having powerful ink traps that go from elegant and supple in the lighter styles to commanding and impactful in the heavier styles. A distinct rhythm is achieved, making it a strong face for editorial design, branding projects and so much more.

Vinila is the ideal companion to expressive display faces, where it serves a supporting role with a marked presence. We use Vinila every day in our own brand identity. We've had some of the best designers use it and test it in many different environments, printed, digital, mobile and more (they really like it!).

Also in the package, Vinila Variable is an experimental version of Vinila, where you can have a virtually infinite mix of weights, widths and slant, all from a single font file. Available when you license the complete family.

Vinila pairs happily with our cheerful Manteiga, elegantly with our organic didone Tenez and mechanically with our monospaced Odisseia. What other matches can you think of?