Milla Bowman

Arabetics Detroit is a monoshape font family with a fixed single shape per each Arabic Unicode character. This font family supports all Arabetic scripts covered by Unicode Standards 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. It includes three weights: regular, bold, and light, each of which has normal and left-slanted (Italic) versions. The design of this font family follows the Arabetics Mutamathil style design principles utilizing varying x-heights and no glyph substitutions. The Mutamathil type style was introduced by the designer more than 15 years ago. The Arabetics Detroit font family includes all required Lam-Alif ligatures in addition to all soft vowel diacritics (harakat), which are selectively positioned with most of them appearing on similar high and low levels—top left corner—to clearly distinguish them from the letters. The Tatweel or Kashida lengthening character is a zero-width glyph.

DaBronx is an downright nifty condensed grotesque font family. It comes with 12 righteous weights. DaBronx is ready for a wide range of uses. It would look great scrolling across a screen and would give extra presence to titles and headlines in a number of different applications.

DaBronx is like a finely tailored suit for your content, upright, spiffy and slick. It has been painstakingly tweaked to perfection in the Good Gravy lab to make it so easy on the eyes.

It looks stellar in an ad campaign, logo design, apparel, or anything else that requires a sleek modern look.

DaBronx would pair well with Koozie Script, another one-of-a-kind Good Gravy font!

The act in a staring contest is two people maintain eye contact and the one who blinks first or breaks eye contact loses..
Did you know that there is a world record in not blinking? Last time I checked, the record was about 41 minutes - maybe someone took that record since I checked!? Anyway, you can stare as much as you like on this font, it will only get better, the longer you stare! Ha ha, maybe not, but it is easy for the eye, legible and playful at the same time. Comes to you in both regular and “brush” versions

The Pagnol typeface has been designed with a principle developed by A. M. Cassandre in 1937, when the great French designer created the Peignot typeface following paleographic studies on the evolution of letterforms.

Researches in the history of writing have proved that the lowercase “a” is at its origin nothing but the “A” shape transformed through centuries by scribes until the invention of printing. A large number of lowercases meanwhile kept their original shapes. If the scribes’ hand didn’t find the necessity to simplify them, it is only because these letters could be easily written.

Integrating the classical shapes of capitals to the lowercases has already been used, keeping the lowercases which are only a deformation of capitals. Nevertheless, the respect of readability imposes to keep ascendants and descendants from traditional lowercases which serve as optical focus points in a text and make reading easier.

The particularity of Pagnol is to use rounded shapes on top and bottom of pointed capital letters to make them fit with corresponding lowercases (Aa, Mm, Nn, Vv, Ww, Zz). Lowercases proportions are wide, to be in tune with classic lowercase shapes in order to optimize readability.

Five weights in roman and italic have been designed to offer a wide palette of typographic possibilities in all sizes and all paper and screen supports.

Introducing Pragnea, a modern sans serif font with a unique touch. It had many unique quirks such as its distinctive e , script-inspired Q, curved stroke on R, K, V, W, and many others.

The type family consists of three weights plus matching italics. Packed with 300+ glyphs, it works well both for impactful headlines and for reading sizes.

French Typewriter is a slab serif typeface created in 2019 by Jean-Renaud Cuaz. It takes roots in the typewriting font styles with a French flair.

In the history of this font style, early typewriters were initially thought to be replacements for printing and so featured proportional fonts, before being replaced by monospaced typefaces. French Typewriter was created with proportional design, departing from the constraint of identical width and space.

Designed for vintage and modern use with a script influenced italic, French Typewriter provides a large range of weights from Extra Light to Black with matching italics offering a large palette of styles for both vintage and modern design.

A series of swash capitales has been created for all 6 italic weights along with ligatures and alternative a, g, y signs to provide opportunities for attractive text design. Fine tuned kerning has been implemented to make this slab serif font family greatly legible in small size. Condensed styles will be available in 2019.

Raventame font with original handwriting brush style, looks very natural and beautiful. It is suitable for boutique brand, photography, magazine, quote, business card, logo, poster and many more. Script is equipped with multilingual support and PUA Encoded.

This font is equipped with the Raventame Swash version which is very easy to combine with the Raventame font. Very many swash options with a variety of original hand strokes.

I hope you enjoy and thank you.