Milla Bowman

Rutherford is clear, robust and authoritative, and reads well at small text sizes while also having the required heft for larger headlines. A wide range of weights makes it a versatile choice for magazines, branding, brochures and advertising.

A slightly condensed obround serif with squared stroke terminals. The t, j and f curve around to harmonize with the terminals on the a and g, as does the tail of the Q. The italic incorporates cursive forms on the ends of the lower right and upper left strokes, and uses a single-story a.

Includes full European Latin support and alternate designs for the Q and g in all weights.

Yaty is a relaxed and spontaneous script font.

With its long descenders, bold capital letters and genuine style, this typeface fits perfectly for a down-to-earth logo or headline, emitting familiarity and friendliness.

The font contains ligatures and support for an extensive range of world-wide languages.

Musubi is juicy, flavorful display face inspired Tiki culture. Use it to make a big splash on posters and signage. This swinging face’s special features include Small Capitals, tropical symbols, and decorative borders. Its funky and flared design is also perfect for a spooky Halloween bash!

Hatachi Family is a script typeface. This new, fresh, & modern style comes with handmade calligraphy, decorative characters and dancing baselines! So wonderful for invitations like greeting cards, branding material, business cards, quotes, posters, and more!!

This comes with 585 glyphs. Alternate characters are divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternate, Contextual Alternate. Open Type features are accessible by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X versions, and Microsoft Word. And this font has code PUA unicode (font with special code). So that all alternative characters can be easily accessed by craftsmen or designers.

Uppercase & lowercase International signature & symbol Punctuation Support & PUA number Unicode Style Style Alternative Style Style Range 1-16 Contextual Character Variations.

Dripping Spooky Font

There’s an appealing quirkiness about Amrys, which offers a confidently unusual alternative to more conventional designs. Its charm lies in its tapering tips, flexing stems, and unexpected notches, which combine to suggest something of the chiseller’s tool at work.

As a modulated serif, its letter shapes live between serif and sans serif, lending the design a sense of pleasing irregularity – something that’s really highlighted at larger sizes. However this is also a typeface that works for text, injecting rhythm and texture into reading.

“It’s distinctive, idiosyncratic, and weird,” says its designer, Ben Jones. He started designing Amrys while studying an MA at Reading University, creating it in response to a brief for a magazine typeface.

Amrys features an extensive and impressive character set. In addition to Latin, Amrys covers several scripts including Cyrillic, Greek, Arabic and Armenian. The family consists of 8 weights, from Light to Black, with matching italics.

Two times awarded on Bienal Tipos Latinos 2012 and 2014, Radal is one of the most expected releases for all those who know well the latin american type scene. Inspired by the capricious and temperamental southern Chile geography and the beauty of its landscapes Sergio Leiva develops an expressionist typeface with a very humanist feeling, taking its Czechs and Venetian references a step further by creating an unpredictable mix of forms and proportions which later craft almost to domestication in order to fulfil its purpose of developing an expressionist non disruptive text typeface.

Radal looks extremely well balanced in long text settings at the time that embellish the page with a scent of calm wilderness. On display use, shines on its irregular nature plenty of unexpected forms and counter forms. The Radal family is composed by 7 styles plus matching italics and a set of over 1400 glyphs (1600 on italics) full of ligatures, alternates, swashes, ornaments, small caps, symbols and a complete arsenal of typographic resources for your delight.