Milla Bowman

MyCRFT was designed as a custom heading typeface for Drew Maughan’s IhNohMinecraft project.

ABOUT THE PROJECT
Beginning life in 2015 under the name Mascoteers, the project was an ensemble of small-scale characters built from LEGO elements. The challenge was in creating the different figures with the restrictions of existing LEGO elements, while being recognisable as individual characters.

The project was initially well received within the LEGO community and with the general public, but was eventually ignored and even ridiculed in favour of LEGO’s own BrickHeadz theme, launched in late 2016.

It was rebranded IhNohMinecraft as a response to the deliberate cries of “Ih dih Minecraft?” since BrickHeadz' launch. The project has no relation to the popular game.

ABOUT THE TYPEFACE
The motivation to create MyCRFT was as part of establishing IhNohMinecraft as its own project, by giving it a new visual identity.

The typeface could be described as a cross between the ones used for Gears Of War and Overwatch. I liked the boldness of the former, and the italicized straight edges of the latter. MyCRFT was intended to be used in its Black Italic form from the beginning, and was designed around the letters from the word MINECRAFT.

Where I couldn't decide on specific characters, I've included the designs as alternative glyphs. I've also included the old “square” Mascoteers logo and the newer “head” IhNohMinecraft logo.

MyCRFT is paired with Kanit on the official IhNohMinecraft web site. Let me know if you discover a better pairing!

PROJECT LINKS
View the IhNohMinecraft “reveal” playlist on YouTube.
The official Mascoteers/IhNohMinecraft web site.

Introducing the Amoret Collection; A stunning pair of luxury script and sans fonts, designed to contrast & compliment each other with elegant beauty and contemporary style. Design luxurious logos, branding, product packaging, wedding invites and quotes in a flash.

Here’s what’s included;

Amoret Sans • A classy, high contrast sans font containing uppercase characters only, numerals and a large range of punctuation. Creates a perfect pairing contrast with the Amoret Script fonts.

Amoret Script • A thin and elegant script font with exaggerated strokes and a loose flow. Contains upper & lowercase characters, numerals and a large range of punctuation.

Amoret Script Alt • This is a second version of Amoret Script, with a completely new set of upper & lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Amoret Script Alt also contains 4 swashes assigned to the [ ] { } keys.

Fonts include multilingual support for; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

Hops And Barley - a Vintage Font Collection.

Hops And Barley includes following:
• 6 fonts - a textured and clean version of each
• Catchwords, textured and clean version
• Ornaments, textured and clean version

Hops And Barleys’ core is four font styles. Fonts are designed in the same proportions and they have the same soft edges so that they work great together. Here’s a short introduction to the fonts

• Hops And Barley 1 -A Connected Script with Contextual, Swash, Stylistic and Titling Alternates
• Hops And Barley 1b -A Bold version of Script
• Hops And Barley 2 -A Serif vernacular Swash, Stylistic and Titling Alternates
• Hops And Barley 3 -A sturdy Sans Serif with a wide character.
• Hops And Barley 3b -A Bold version of Sans Serif
• Hops And Barley 4 -A Condensed Sans Serif
• Hops And Barley 5 -A set of 61 Catchwords
• Hops And Barley 6 -A set of 71 Pictograms

Hops and Barley fonts have rugged outline and eroded texture inside the letters. Hops And Barley C stands for Clean - they are an identical set of the styles but they come with straight and clean outlines and softened edges.

Hops and Barley fonts work great together or on their own. They’re a fantastic choice for any display use and when paired they can cover the whole display part in any project from website to packaging and from poster to logo.

Getho is a Semi Sans family of geometric construction with 6 weights plus the italic versions all include small letters, the symbol of Bitcoin and other monetary symbols.

It is an exclusive typography with neo-grotesque modulations and maximum readability in any size. The typeface has alternative letters and numbers, small caps and advanced OpenType functions. The complete Pack includes versions of the Variable Fonts type.

The drawn of the vectors is meticulous to obtain smooth curves of elegant aspect to which also contributes the subtle rounding of the corners, the thicker versions have of traps of ink in the knots of the unions to be able to use them in small sizes. The Metric and the Kerning of all the versions I have reviewed individually to obtain a fluent reading in any type of text and size.

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file in the gallery.

TessieOddsNEnds contains shapes that did not fit into the other Tessie fonts: TessieStandingBirds, TessieFlyingBirds, TessieMoreBirds, TessieXtraBirds, TessieSpinners, TessiePuzzlePieces, TessieAnimals, TessieBugs, TessieMiscellaneous, and TessieMoreStuff.

(Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file in the gallery.

TessieBugs contains shapes that resemble insects such as moths, ants, butterflies, and weevils.

(Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)

The inspiration for SJURecord was calligraphic lettering used for the title of a student newspaper, St. John’s Record, during the late 1920s and early 1930s. The three upper-case and nine lower-case letters were considerably different from any calligraphic lettering I had developed, so I thought creating a complete typeface around these twelve letters would be an interesting challenge. SJCRecord has only one weight but has a large array of accented characters.