Milla Bowman

A monospace cousin is the perfect addition to our existing Lexia family, a contemporary slab-serif design with remarkable versatility. Lexia Mono was drawn specifically with programmers and designers who work with tough compositional issues in mind. Its clean, uninterrupted rhythm and even colour make it remarkably easy to read, while its characters flow just like on a typewriter. Unlike many monospace font families which consist of only Regular and Bold weights, Lexia Mono also features a Light, stylish true italics, and box-drawing characters for terminal use.

Inspired by the blocky charm of historical geometric slab serifs, Mokoko combines a timeless look with progressive technology in multiple weights and styles. Supporting all European languages using the Latin script, and with seven weights ranging from Thin to Black with matching italics, Mokoko is as functional as it is characterful. Its heavy weights lend themselves to bold displays while the lighter weights are more discreet and functional, supporting long-form text.

The letters in Bouncer are round because they all begin as a ball and then have parts of the ball cut away. Bouncer was one of the earliest typefaces from Ingrimayne Type. Lower-case letters are smaller versions of the upper-case letters.

BouncerTwo, designed twenty years after the original Bouncer, continues playing with the idea of making letters by cutting out parts of a circle, but in this case the circles are interlocking. All letters are upper-case but some of those on the lower-case keys differ from those on the upper-case keys. BouncerTwo is eye-catching but not highly legible.

It’s Filmotype Maxwell! a bouncy interlocking serif originally released as a Free Style typeface by Filmotype in the early 1960s that captures the essence of the mod design movement.

This amazing font has over 5 million automatic interlocking letter combinations to create its very own typesetting system.

Filmotype Maxwell was developed from the original font filmstrips and includes a full international character compliment, automatic ligature combinations, ordinals, fractionals, and a host of alternate characters in dynamic OpenType format.

LHF Mastercraft is one of the most versatile fonts you'll ever use. From its fanciful decorative caps to the easy to read lowercase letters, we're certain you'll find many uses for this unusual set. This style came directly from Chuck’s own pencil sketches and hearken back to a day when the masterfully executed classic roman letter was the mark of every skilled veteran. Mastercraft 2 contains decorative caps that are complimentary and not overwhelming. Use Mastercraft 1 Rough when you require a more weathered appearance. Experiment with stacking the two different Shadow fonts. Each font contains several alternates and ligatures.

Hoodson Script Inspired by Retro style and combination with Hand Lettering style. I'm made with personality touch every single curve. I hope this can make inspire you from your work. and a very bouncy baseline It has a perfectly paired complimentary marker font , and a super handy set of bonus Swash. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards.

To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7.

There are additional ways to access alternates, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

Binario Soft is a gently rounded version of Binario, which is also available on this vendor’s website.

Binario Soft is a geometric sans serif typeface with subtlly rounded edges to give a softer and warmer impression. It comes in three weights (light, regular, and bold) with matching obliques. Its simple, compact, and tightly cornered forms lend themselves well to screen-reading. 


Italian Art Deco and early 1900s advertising and shop signage were the inspiration for Binario. It also to pays homage to early modernism’s optimism, modularity, and efficiency. The shape of the rounded counters are based on the curve of the classic Roman arch. The bold has a vertical emphasis and is suitable for headlines or large body text. The light is more open and provides a nice pairing to the regular or bold weights as body text or as large display text. It comes with a small set of dingbats; an arrow, a printer’s fist, a train, some flowers, and several interface icons.